Vian Sora’s paintings are an alchemical explosion, where paint collides, expands and organically transforms, coagulating and sedimenting into new forms. They are a cathartic exercise: an embrace of the chaotic nature of a universe driven by entropy, a visual acceptance of how everything is composed of particles in constant transformation. Sora’s practice is about surrendering, becoming a channel that moves through destruction toward evolution and regeneration. Born in Baghdad and later migrating to the United States after several displacements along the way, Sora witnessed the destruction of bombs firsthand. In the explosive nature of these pools of kaleidoscopically fluid pigment—pure color that bursts across the canvas and sediments into richly textured surfaces—one can sense her memories reverberating. Yet the energetic concentration in her work reveals how, even within violence and destruction, there are the seeds of something profoundly transformative and regenerative: a reclaiming of the potential to reactivate inert matter into endlessly new and lively forms.
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