Huda Lutfi

Huda Lutfi

Magnetic Bodies: Imaging the Urban

April 25 - June 4, 2016

Huda Lutfi, The City Goes Pop (detail), 2015, photographs, acrylic and oil paint on wood panel, 105 x 201 x 5 cm

The Third Line is pleased to present Magnetic Bodies: Imaging the Urban, Huda Lutfi's second solo show in Dubai. The exhibition, which includes photo-collage, sculpture, installation and video works, is part of an on-going exploration which cross-examines the urban sprawl of Cairo through the lens of Huda as an artist and an historian. New works are presented alongside seminal pieces to delineate the teeming, spilling multitudes that comprise the chaotic fabric of the city. The layered visuals, marked with elements such as plastic mannequins juxtaposed against blue skies and archaeological cross-sections of the megalopolis, create surreal landscapes—suspending the idiosyncrasies and impossibilities of urbanity in unchartered space and time.

The use of the doll iconography began early in Huda's career with her Found in Cairo (2006) and Arayess series (2006), which explored the effects of globalization on the production of local cultural objects and traditions. Since then, she has employed the figure of the doll repeatedly to explore the objectification and imposed modes of identity construction of the body. In the newer works, Huda explores the rich mannequin culture of Cairo and ties it to the personal and public politics that colonize a constantly evolving cityscape. Using photography as a medium of documentation, she creates bodily re-combinations through bricolage and photomontage techniques. Following 2011, Huda has incorporated more of her own photography into her collage works; inspired by the events in Cairo's Tahrir Square, the need to document became more urgent. Ever since then, Huda has employed the photographic medium to generate repeated copies of the mass-produced mannequins—an uncanny doubling that lends her work a surreal historicism. 

Press Release

Group Show

Summer Show 2014

June 4 - July 24, 2014

Sara Naim _Al Niente _2009_C-type Digital Print _50.8x 43.18cm

The Third Line will be closing the season with Summer Show 2014, presenting a selection of artworks by artists represented by the gallery and those who have shown at the gallery in the past. 

With a series of media ranging across photography, painting, sculpture and installations, Summer Show 2014 will be showcasing the works of Arwa Abouon, Ala Ebtekar, Ebtisam Abdulaziz, Golnaz Fathi, Hassan Hajjaj, Huda Lutfi, Laleh Khorramian, Pouran Jinchi, Rana Begum, Rhea Karam and Sara Naim.

Group Show

THE STATE: SOCIAL/ANTISOCIAL?

September 12 - October 27, 2011

Thestate

Artists: Abbas Akhavan, Huda Lutfi, Arwa Abouon, Amir H. Fallah, Fouad Elkoury, Farhad Moshiri, Hassan Hajjaj, Laleh Khorramian, Slavs and Tatars, Susan Hefuna, Youssef Nabil

To begin the fall season, The Third Line invites guest curator Rami Farook to continue a conversation about the state of the world today. Comprising of works from The Third Line, Traffic and The Farook Collection and exhibiting at the two spaces, the show attempts to question and discuss the state of the contemporary environment through artistic representations depicting social behavior, ecology and psychology.

THE STATE: SOCIAL / ANTISOCIAL? is inspired by and, a continuation from, previous shows at Traffic also titled ‘the state’. This exhibition resumes a dialogue explored earlier in shows held at Traffic: THE STATE(2010), the inaugural exhibition, questioned the socio-political state post September 11; anTHE STATE: UPPERS & DOWNERS(2011) ran a commentary on the global condition, from an economic perspective, with the city of Dubai as a focal point. This third installment of investigation combines works from the collection of The Third Line, Traffic and The Farook Collection, and is exhibited at both galleries to connect the conversations previously limited to one physical space. 

Huda Lutfi

Zan’it Al-Sittat

November 13, 2008 - January 08, 2009

HL_Perfume Garden _2008_71 Perfume Bottles With Hand Painted Collage _Detail 1_650

Zan’it Al-Sittat is an exploration into the city of Cairo, and more specifically, the visibility of women in Egyptian culture and society.

Both historian and artist, Lutfi is a bricoleur. She collects disparate images and manipulates them to re-invent her personal vision of Cairo, its histories and events. In doing so, Lutfi simultaneously comments on the political relevance of her home country, lifting old feminine icons from history and giving them new life by re-contextualising historic time lines, creating hybridised, timeless female figures.

Group Show

From Egypt With Love

November 03 - November 22, 2006

From -Egypt -With -Love _Huda -Lutfi _Installation -shot -4

Artists: Susan Hefuna, Huda Lutfi

Timelines are compressed and icons subverted in this prestigious double-bill reflecting dualities of past and present, mixed identities and cross-cultures. 

Self-referentially lodged between two worlds is German/Egyptian artist Susan Hefuna whose series of mashrabiyas both actual structures and photographic depictions - have won critical acclaim, not least by the Louvre, who in 2004/5 included her alongside 12 other selected international artists for the favourable Counterpoint show. 

Huda Lutfi, meanwhile, is an urban archeologist of a very different kind: rummaging through old artifacts and throwaway items in Cairo's markets, factories and antique shops, she flattens periods of history by calling up Pharaonic, Coptic, Islamic, Greek and Ottoman eras in one single image.